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  978-1-108-41701-3 — Unveiling Galaxies

  Jean-René Roy

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  UNVEILING GALAXIES

  The Role of Images in Astronomical Discovery

  Galaxies are known as the building blocks of the universe, but arriving at this understanding

  has been a thousand-year odyssey. This journey is told through the lens of the evolving use

  of images as investigative tools. Initial chapters explore how early insights developed in

  line with new methods of scientiic imaging, particularly photography. The volume then

  explores the impact of optical, radio, and X-ray imaging techniques. The inal part of the

  story discusses the importance of atlases of galaxies; how astronomers organised images in

  ways that educated, promoted ideas, and pushed for new knowledge. Images that created

  confusion as well as advanced knowledge are included to demonstrate the challenges faced

  by astronomers and the long road to understanding galaxies. By examining developments in

  imaging, this text places the study of galaxies in its broader historical context, contributing

  to both astronomy and the history of science.

  jean-rené roy is a retired astronomer who was a professor at Laval University, Québec,

  Canada from 1977 to 2000. Since then he has served as Deputy Director and Head of Sci-

  ence at the Gemini Observatory in Hawai’i and Chile and worked at the Large Facilities

  Ofice of the National Science Foundation and inally at the Space Telescope Science Insti-

  tute. He has done research on the Sun, the interstellar medium, and the evolution of gas-rich

  galaxies. A new edition of his previous book, A Question and Answer Guide to Astronomy,

  was published in 2017.

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  978-1-108-41701-3 — Unveiling Galaxies

  Jean-René Roy

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  “As one of the world’s leading astronomers, Jean-René Roy provides us with an insight-

  ful and readable account of the use of images to distinguish between deep-sky objects,

  such as nebulae and galaxies. What makes this an exceptional work is the level to which

  Roy, as a practitioner, engages with historians of science in developing his rich account.

  This engagement leads to a unique book, one that will be indispensable to understanding

  the signiicant role played by images in the history of twentieth-century science.”

  Omar Nasim, Universität Regensburg

  “Unveiling Galaxies examines the role of ‘transformational images’ in the history of

  astronomy. Images are a tool of discovery, and this book brings attention to the ground-

  breaking images behind some of the greatest discoveries in astronomy. The book also

  highlights the role of galaxy atlases in astronomy as well as the lives of the people who

  made these images and how their work impacted the progress of astronomy. I found

  that telling the story of the discovery of galaxies by focussing on iconic images is an

  excellent approach to the subject. Unveiling Galaxies is informative, well written, and

  well researched, and provides a superb read of the process of discovery in science.”

  Ronald J. Buta, University of Alabama

  “In this beautifully clear, relective, and almost non-mathematical book, Jean-René Roy

  explains how we came to understand that galaxies are the building blocks of the universe.

  Roy is an accomplished galaxy researcher who takes us on this long and fascinating jour-

  ney with its many challenges, from the perspective of developments in scientiic imaging

  of galaxies. The story is based on images, starting with sketches of galaxies made from

  visual observations in the 18th and 19th centuries. The book describes how the gradual

  improvement in the quality of the images led to the understanding that galaxies are very

  distant objects, lying far outside the Milky Way.”

  Kenneth Freeman, The Australian National University

  “Roy’s unique contribution goes beyond tracing the development of making images of

  galaxies to examine their compilation into atlases. Roy’s underlying motivation for this

  work is personal; his own exploration of a gift of an atlas of galaxies sparked his interest

  in science and astronomy. With the descriptions of the characters who contributed to

  the progress of understanding galaxies, the author reminds us that science is a human

  activity. This book touches on the highlights of how images proceeded from eye and

  hand to photographic and lately electronic record.”

  Nancy Levenson, Space Telescope Science Institute

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  Cambridge University Press

  978-1-108-41701-3 — Unveiling Galaxies

  Jean-René Roy

  Frontmatter

  More Information

  UNVEILING GALAXIES

  The Role of Images in Astronomical Discovery

  JEAN-RENÉ ROY

  © in this web service Cambridge University Press

  www.cambridge.org

  Cambridge University Press

  978-1-108-41701-3 — Unveiling Galaxies

  Jean-René Roy

  Frontmatter

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  Information on this title: www.cambridge.org/9781108417013

  DOI: 10.1017/9781108261104

  C

  Jean-René Roy 2018

  This publication is in copyright. Subject to statutory exception

  and to the provisions of relevant collective licensing agreements,

  no reproduction of any part may take place without the written

  permission of Cambridge University Press.

  First published 2018

  Printed in the United Kingdom by TJ International Ltd. Padstow Cornwall

  A catalogue record for this publication is available from the British Library.

  Library of Congress Cataloging-in-Publication Data

  Names: Roy, Jean-René, author.

  Title: Unveiling galaxies : the role of images in astronomical discovery / Jean-René Roy

  Description: New York, NY : Cambridge University Press, [2018] |

  Includes bibliographical references and index.

  Identiiers: LCCN 2017023077 | ISBN 9781108417013 (alk. paper)

  Subjects: LCSH: Astronomical photography. | Galaxies. | Astronomy.

  Classiication: LCC QB121.R697 2018 | DDC 523.1/12 – dc23

  LC record available at https:
//lccn.loc.gov/2017023077

  ISBN 978-1-108-41701-3 Hardback

  Cambridge University Press has no responsibility for the persistence or accuracy

  of URLs for external or third-party internet websites referred to in this publication

  and does not guarantee that any content on such websites is, or will remain,

  accurate or appropriate.

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  Jean-René Roy

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  We may, therefore, well hope that many excellent and useful matters are

  yet treasured up in the bosom of nature. Francis Bacon

  To the memories of Allan Rex Sandage, Gérard de Vaucouleurs and

  Halton Christian Arp

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  Jean-René Roy

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  Contents

  Preface

  page ix

  Introduction

  1

  Part I

  Images and the Cosmos

  1 Viewing Heavenly Mist

  17

  2 Portraying Cosmic Whirlpools

  34

  3 From Celestial Snapshots to Photographing the Realm of Galaxies

  59

  A – Photographing “Nebulae,” Pioneering Celestial Photography

  60

  B – Photographing Myriads of Galaxies: The Golden Age of

  Astrophotography

  72

  4 Portraying “Nebulae” for the Mind

  92

  Part II Images as Galaxy Discovery Engines

  5 The One-Thousand-Year Journey

  105

  6 Galaxies in Focus

  131

  7 A Symphony of Waves

  150

  8 Imaging the Invisible

  173

  Part III Organizing the World of Galaxies

  9 The Galaxy Classiication Play-Off

  187

  10 Atlases of Galaxies, Picturing “Island-Universes”

  205

  11 Atlases of Galaxies, Viewed by Their Users

  233

  Conclusion

  247

  Appendix

  253

  Bibliography

  257

  Index

  270

  Colour plates are to be found between pages 144 and 145.

  vii

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  Jean-René Roy

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  Preface

  Galaxies are the building blocks of the universe. They have been and continue to be extraor-

  dinary objects for probing and understanding the universe, its origin and evolution. This

  book is about galaxies, and about how images led to their discovery and contributed to the

  understanding of their nature.

  Held together by gravitation, galaxies are gigantic systems of stars and clouds of gas

  and dust. They populate the universe in the billions. Extrapolating counts from the deepest

  current observations by telescopes in space and on the ground, one estimates that there are

  more than 200 billion galaxies in the observable universe. We belong to one of them, the

  Milky Way, a typical large spiral galaxy: disk-shaped like a slightly inlated pizza, the Milky

  Way hosts about 200 billion stars and measures more than 100,000 light-years across. Our

  Sun is one of its numerous stars and is located at about 27,000 light-years from the center

  of the giant whirlpool of stars, interstellar gas and dust. We have only become aware of our

  cosmic geography in the last century.

  About a hundred years ago, in the late 1910s and through the 1920s – a remarkable

  decade – astronomers proved beyond doubt that our Milky Way was one of numerous giant

  stellar systems, and that a multitude of similar “island-universes” were scattered at colossal

  distances from each other. “Nebulae,” noticed by sharp eye telescope viewing all over the

  sky during previous centuries, were found to be extremely numerous, at least millions in

  number, and complex in their appearances, from mottled disk-shaped pinwheels to soft

  spheroidals. The diversity of silhouettes and forms turned out to be a key to understand the

  formation and evolution of galaxies. Probed by inquisitive astronomers with the modern

  photographic equipment of the twentieth century, “nebulae” became galaxies and literally

  opened the door to grasping the whole universe. Some say, we then found the universe.1

  Getting there was a fascinating story.

  From the irst viewing of a “nebula” in the tenth century to the time these foamy patches

  in the sky were explained and understood, it took more than a thousand years. Why did it

  take so long? Discovering galaxies and determining their nature was indeed a long path full

  of obstacles, confusion, debates, conlicts and inally convergence. In this book I will re-tell

  this arduous road and exhilarating venture. To do so, I will employ a speciic perspective:

  1 M. Bartusiak, The Day We Found the Universe, New York: Vintage Books, 2010.

  ix

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  x

  Preface

  the role of viewing, drawing and photographing in iguring out the nature of nebulae, and

  I will show how this long and time-honored imaging process has helped to bring out the

  world of galaxies.

  Why Images?

  An image allows us to see things, to record and describe them, to prove that they exist

  and to relect on them. Images can bring irrefutable pieces of evidence for a concept or

  proof of the reality of a “thing.” One can count objects on an image, measure their shapes,

  identify features and establish if they contain structures, then describe these. When images

  are digitized, mathematical operations can be executed and quantitative information can be

  extracted from them. With a large number of images at hand, one can compare and recognize

  variations between objects. In some cases, such as it was with “nebulae” over the centuries,

  we might not have a clue about what the “thing” is. Once it is understood, common trends

  can be traced, “peculiar cases” can be identiied and orderly behavior inferred.

  Scientists are illustrators. They learn by juxtaposing objects and images. Images then

  provide an empirical basis for classiication, often a critical pre-discovery step, to under-

  stand the nature of objects, “nebulae” and galaxies, in our case.2 Atlases are the juxtaposi-

  tion of images. Scientiic atlases with their rich compendia of images become the pictorial

  beacons helping us to navigate the natural world. I will explore why and how the great

  atlases of galaxies of the past decades were put together. I will explain how these image

  galleries helped to broaden our knowledge of the world of galaxies, how they inluenced

  research programs and drove the
design and construction of new telescopes and cameras.

  We read text; we read images. Scientiic images are not only powerful conveyors of

  information but also a tool to share complex knowledge.3 Images also carry esthetic value.

  They help to create enthusiasm and understanding. Images of astronomical objects can be

  truly beautiful, esthetically abstract and amazingly representational.4 The popularity of the

  Hubble Space Telescope is in great part due to an outstanding and successful educational

  effort to explain and share particularly signiicant astronomical images with an audience

  broader than the astronomer specialist using the facility.5,6

  My approach and perspective in writing this book are those of a practitioner: it is

  the viewpoint of someone who has observed and studied galaxies, taught and trained

  students into learning what they are, helped in building instruments to image galaxies

  and, inally, run a large observatory where major programs were conducted to explore

  these prodigious sidereal objects. My career was ignited by a spark. As a teenager, I was

  2 S. J. Dick, Discovery and Classiication in Astronomy, Controversy and Consensus, Cambridge: Cambridge University Press, 2013, pp. 233–276.

  3 M. Lynch and S. Y. Edgerton Jr., Aesthetic and digital image processing: representational craft in contemporary astronomy, The Sociological Review, 1987, Vol. 35, pp. 184–220.

  4 M. Benson, Cosmigraphics, Picturing the Universe Through Time, New York: Abrams, 2014.

  5 E. Snider, The Eye of Hubble, Framing Astronomical Images, Frame: A Journal of Visual and Material Culture, Issue One, Spring 2011, pp. 3–21.

  6 For example, see Z. Levay, Hubble Space Telescope: Re-imagining the Universe, TEDxKC, 2015, www.youtube.com/watch?

  v=JDJsiEI_0gE

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  dazzled and inspired by The Hubble Atlas of Galaxies by Allan Rex Sandage, a giant of

  twentieth-century astronomy.

  To ground my story on a broad foothold, I also borrow the works of scholars who have